"The Medea of Kami Manns is a woman with dignity - there is no humiliation. She works the monologue like a dancer his choreography, in some moments she spits the words out, in others the words seem to escape almost noiseless. Her Medea is a deliberating Medea, a controlled one. Even, when she has already taken off her bridal dress, while sitting naked and pure in front of the audience. There are not a lot of new things which one can contribute to the Medea-Discourse, but Kami Manns succeeds even so. The evening is a deep travel into Medeas heart, that float like a raft in the open seas."

Süddeutsche Zeitung, critique by Christiane Lutz, November 2014